How they Was Rappin’ in 1991

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Rap music is the best.

Moving forward, I’ve decided to curate some Spotify (@Spotify) playlists specific to the most integral years of hip-hop, starting with the year of 1991.

Unfortunately, there are some significant gaps in the Spotify catalogue. Due to this, I was unable to include cuts off landmark albums such as De La Soul‘s (@WeAreDeLaSoul) De La Soul is Dead, Pete Rock & C.L. Smooth‘s All Souled Out EP, Tim Dog‘s iconic Penicillin on Wax, Godfather Don‘s HazardousWords from the Genius by the Genius / GZA (@theRealGZA), and From Pyramids to Projects by Two Kings in a Cipher. And in spite of its divisive reputation, it would have been nice to have had the option to include a track off of Big Daddy Kane‘s Prince of Darkness.

Nevertheless, at 2½ hours long and 35 tracks, hopefully the playlist below provides you with a comprehensive look into how the hip-hop landscape was operating back in ’91.

qtip1991

The best rapper of 1991 (according to Complex) : Q-TIP

NEXT UP: How they Was Rappin’ in 1992! 🎤

🎼 #GuelphMusicClub: Best of 2016

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Yep, it’s true. Phoenix from the ashes and all that good stuff…depending on your opinion of this blog, I suppose. Either way, I’M BACK.

But, yeah, I’m dreadfully late this year with my best of 2016 recap but I don’t feel too bad about it this go around. In fact, does it bother anyone else that most major music publications and review sites/blogs tend to have their year-end lists published near the top of December? That means that albums released at the very end of the calendar year aren’t even available to be considered if their roundtable discussions are taking place throughout October/November. And I always thought it was dumb to see year-end lists incorporating items from the year previous – DUMB.

Guess that’s just the reality of the world these days. There is a heavier emphasis placed upon being FIRST than there is to produce thoughtful and considered reviews. I mean, I know I’m just talking about critical opinions here (which have always been worthless, mine included) but the age we live in has allowed for poseurs like Anthony Fantano to proliferate and position themselves as musical authorities – LOL! My apologies to his corny azz followers… 🙄

In regards to my own recap, this year, I chose to go with the same format employed as last year, only this time, I thought I’d throw a few extra categories into the mix.

Nowadays, the #GuelphMusicClub seems to have transformed into more of an annual tweet-up at best but I would encourage you to click the link above to peruse some of the other contributions if you’ve yet to do so. Those of you who have kept up with THE CLUB over the years are surely aware of the diverse and eclectic array of tastes weaving throughout its contingency. Definitely worth the perusal! I have no doubt you’ll be introduced to a ton of great stuff!

2016 was also a tough year for the #GuelphMusicClub in the sense that it marked the end of Sound in My Memory. If I’m not mistaken, Rob was one of the originators of THE CLUB (alongside Aaron Dale? 🤔) and his candor will certainly be missed.

In fact, a lot of the blogs have fallen off, mine included. This year, several individuals from THE CLUB decided to primarily share their best-of picks through Twitter. With that being the case, I sincerely hope I’m able to retain your attention throughout this post…

.. ’cause it’s been a minute since I’ve been here and I’m about to go OFF! (no Skintastic)

youready

LET’S DO THIS!!!

FYI: Everything “ranked” alphabetically

Go to the next page for the TOP ALBUMS of 2016